The aim of this study is to discuss the machine in current art as a proposition for upcoming art. Before, heavy and monstruous, it now comes closer to the human being and becomes an idea, an abstraction, diagrams and numbers, a problem or poetry. The value of technological work of art doesn’t reside in technology itself, but in the creative movements of art on technology. In art there’s no progress or regress, but creation, complexity, transformation and openness. Current art is made from acceleration, accumulation and oblivion of works and artists, within increasing interconnectivity, presentification, saturation and complexity. The confusion about certain productions being or not art or something elsen leads us to an issue: is there a limit or shouldn’t there be an importance in the limit between two things when they are connected? That’s the reason why the concept of object has a wider meaning, as it is machine, sign, technical object and poetic image, always in state of connection.
Enviado por vagnergodoi em 23/05/2010
Detalhes sobre o arquivo: 156 páginas.